PSALMS - Hollywood Undead [EP]

After a rainy Sunday for Thailand and Singapore which saw both the MotoGP and Formula 1 Grand Prix's delayed, we finally got into some good racing action with Miguel Oliveira coming out on top in MotoGP in wet conditions once again; followed by both Ducati riders in the order of Jack Miller and Pecco Bagnaia. Over in Singapore for Formula 1 we saw Sergio Perez remain victorious despite a post race penalty; followed then by the Ferrari's of Charles Leclerc and Carlos Sainz. To wind down from this double race weekend excitement we have a throw-back review to an EP this time with PSALMS from Hollywood Undead.

Heres a track-by-track breakdown of the EP, with each song being ranked from p.1 to p.5. *TRACKS ARE LISTED IN ALBUM ORDER*

Bloody Nose - p.5

Bloody Nose has a solid consistent beat with a largely unchanging instrumental track, however they do get stripped back towards the chorus' and ending of the song. This starting track for the album does a good job of showcasing the bands transition from their older style of sound to one similar to their current sound, this change can be seen around 2017/18.

Live Fast Die Young - p.4

Live Fast Die Young builds up the instrumental before dropping and coming back in with the vocals. While the instrumentals are largely unchanging they do cut towards the end before building back in. Overall the song is one of the slower ones on the album and has a cinematic feel

Something to Believe - p.1

Something to Believe starts with a distorted voice that sounds like its being played through a phone call while the instrumentals build up and the sung vocals come in. The beat remains fairly consistent staying light and bouncy and the song is mostly rapped. The vocals and instrumentals start to diminish towards the end and the distorted voice from the start comes in again with different lyrics. Overall it has a nice sound and is easily immersible for a listener.

Another Level - p.3

Another Level comes straight in with both vocals and instrumentals and maintains a high level of energy right from the start. The instrumentals build up towards the chorus and are stripped back afterwards. Overall the song has heavy bass and drum line and is pumped full of energy.

Gotta Let Go - p.2

Gotta Let Go is one of the softer songs on the album and starts off with acoustic instrumental. The vocals start as softer sung lyrics and build during the pre-chorus which continues through the chorus. During the song the lyrics build and strip back while the instrumentals remain largely unchanged. Overall the song is immersive and has a good sound.